Fuel and
Ovalhouse present
Newcastle Alphabetti Theatre
Tuesday 17th – Friday 19th April
2018
Created and performed by Jesse Fox
Written by Danielle Pearson
Intimate
storytelling and innovative sound design combine in This Restless State, a new
collaboration between writer Danielle Pearson and performer Jesse Fox. Weaving
together three stories from across Europe at different times – in 1989 around
the fall of the Berlin Wall, in London in 2017, and in Rome in 2052 – each
considers the personal and political choices we make and the fact that our
beliefs and our personal feelings don’t always match up.
Fuel and Ovalhouse have co-commissioned this new solo
performance which arrives in Newcastle on the 17th April,
leading audiences on a journey across our continent’s past, present and future
in a story of family, national identity, conflict and love.
Jesse
Fox says ‘I’ve been interested in making
a show about European identity for a long time. I was defining myself more
comfortably as European than British and I realised that this is not a universal
experience. As Europe finds itself increasingly plagued by schisms and
challenges, I’ve begun questioning my assumptions about how important national
identity and a sense of home are to people and I’ve discovered that perhaps
being British is more important to me than I initially expected.’
This Restless
State builds on the success of Jesse Fox’s recent shows with his company
Engineer Theatre Collective, which have seen his work nominated for various Off
West End Awards and featured in The New Yorker.
He is
collaborating with Danielle Pearson, Playwright in Residence at the Watermill
Theatre and the winner of the EU Collective Plays! Competition, and Jemima
James - Associate Director on ‘The Encounter’ by Complicité.
The North East Theatre Guide caught up with Jesse Fox, the creator
and performer of This Restless State to discuss how preparations for the show
were going.
Tell
us a little bit about what This Restless State is about.
This Restless
State interweaves three family storylines from different eras and places across
Europe by exploring how we, as individuals and as a society, try and define our
identities. We do this by looking at these individual family stories against
the backdrop of seismic political and historical events of their times.
We’re really
interested in how we both individually and collectively balance that
interesting tension between the past and future. How do we make sure we’re not
held back by our pasts whilst simultaneously acknowledging and respecting that
our pasts have brought us here today and will move us towards the future?
How
did the idea for the show come about?
I’d been really
interested in making a show about European identity for a long time because I
thought I defined myself more comfortably as European first and British second.
I realized this wasn’t the experience of many other people living in this
country and the last couple of years have obviously brought all these sorts of
questions to the fore. I’ve started questioning how important my national
identity and sense of home are to me. They are, in fact, more important to me than
I initially expected.
What would you say to an
audience member unsure about whether to come along? What would be one reason
for them to watch the show?
Well, there are
some pretty fantastic David Hasselhoff references which I think is a movement that
definitely needs reviving… there’s also some cheesy dancing to go with it.
The
piece travels through three time periods, with one set in the future. Does this
future feel like a reality to you?
Yes, although
obviously there are endless permutations of what that could be, so we’ve picked
one that we feel we’re moving towards. It’s a future where our continent is struggling
with its own sense of identity and where the people within it are trying to
define themselves in the context of big external pressures. There’s an implied
sense of climate change which has applied pressure on citizens through the mass
movement of people and displacement in unprecedented numbers. It’s a future that I think is plausible, although
not necessarily the definitive one. It’s quite pessimistic in some ways but
optimistic in others. We’ve tried hard not to make it too sci-fi-ey, so we
haven’t filled it with mad robots, although I do think that is another possible
future.
Was the show originally
inspired by Brexit? And if so, how has it influenced your work?
Originally the
piece wasn’t inspired by Brexit, but inevitably it has very strong links.
You’re right to ask about Brexit as an inspiration for the show because I think
any show made about Europe in this country, or any show reflecting on questions
of identity, are immediately linked to the referendum. What interests me is how
Brexit seems to have polarized our country. Our ability to listen, tolerate and
acknowledge different points of view seems to have declined. I find it
interesting that when you ask people a very black and white question, you will
most likely get a very black and white response which instantly causes a
divide. For me, the point of doing the show is to encourage people to think
about how they listen to other points of view and to acknowledge the
assumptions that we make on both sides of the debate.
What would you like audiences to take away from
watching the show?
I hope that audiences will go away with
a sense that the feelings of uncertainty and frustration that many are
currently experiencing, regardless of political leniency, have in some way been
acknowledged by the show. We want to offer a space where feeling unsure and
wanting to make sense of it all, is affirmed as a valid reaction to have at
this political crossroads.
Funded by Arts
Council England and the Leche Trust. Development supported by Engineer Theatre
Collective. Co-commissioned by Ovalhouse.
Tickets:
This Restless
State comes to Newcastle’s Alphabetti Theatre on Tuesday 17th – Friday 19th
April 2018 at 7.30pm.
Alphabetti
Theatre is located on St James’ Boulevard (between the Discovery Museum and the
Grainger Multi-story car park, which has free parking after 5), Newcastle Upon
Tyne, NE1 4 HP
These are “Pay
what you feel” shows and booking is recommended. Tickets can be reserved via
the website: www.alphabettitheatre.co.uk.
Box Office: 0191 261 9125.
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