Clear White Light
Newcastle Live Theatre
Until Saturday 10th November 2018
Written by Paul Sirett
With the songs of Alan Hull of Lindisfarne
Musical Direction and performed live by Ray Laidlaw and Billy Mitchell
With the songs of Alan Hull of Lindisfarne
Musical Direction and performed live by Ray Laidlaw and Billy Mitchell
Clear White Light follows in the long tradition for new writing at
Newcastle’s Live Theatre. It marks the first production at Live for the new artistic
director Joe Douglas. Local themes combine with Alan Hull’s music to produce a show
that is certainly different.
Bryony Corrigan appears as Alison, a second year Mental Health Nursing
degree student on her first night shift at St Nicholas Hospital. She meets Rod (Joe Caffrey) who is the only
experienced nurse on the under-staffed ward.
He sets out the schedule for the next 12 hours: go through the hand over
from the day shift then do the rounds, sort out tea, issue meds and then get
the patients to bed before 10.
Rod gives Ali three of the 16 cases to look after. This includes Barry (Billy
Mitchell), a car mechanic had a breakdown when his garage was set on fire by
kids. Aaron (Phil Adรจle) who is a patient with depression
who was referred from Stockton as they had no places there. Finally there is Charlie
(Dale Jewitt), a mathematics student who has a personality disorder.
We don’t do spoilers here, but I should mention the other performers on
stage is Alice Blundell as Jo, a nurse on nearby ward, and Charlie Hardwick as
Maddie, a lady whose role becomes more apparent as the show goes on. The bulk
of the performers get involved with their instruments during each musical
number.
Off stage and parked near the seats with the low numbers is Ray Laidlaw
adding percussion to the variety of numbers that proliferate the show.
We are not ones for pigeonholing a show but this show falls between a
number of genres. The show features some
great music, with Charlie Hardwick performing the bulk of the vocal duties. This
show is not a musical though. More a drama that stops for 11 musical numbers by
Lindisfarne’s Alan Hull. Likewise the show may be inspired by Edgar Allan Poe’s
The Fall of the House of Usher but it
isn’t a straight horror show. The show
also has a few digs at the current government’s health policy but it isn’t a
play about mental health. Clear White Light features elements of
each of these tropes but lands somewhere between them all, missing many an
opportunity to have a much stronger narrative.
The central performances by the reliable Joe Caffrey and the unswerving Bryony
Corrigan are both fine. The music fits in well too, though sitting near the
drum kit meant I was struggling to hear the lyrics over the percussion.
Clear White Light feels like a
missed opportunity. The 3 patients could have been developed further – we are
thinking about the successful Live Theatre production Wet House here. Instead, in the second act, the story takes a
change in an almost surreal direction.
I had been looking forward to this show but, somehow, it failed to
deliver as either a piece about mental health or as an exciting horror or
mystery story. I may be the only one who feels it, but it is a rare Live
misfire: a real shame.
Review by Stephen Oliver.
Creatives:
Written by Paul Sirett
With the songs of Alan Hull of Lindisfarne
Musical Direction and performed live by Ray Laidlaw and Billy Mitchell
With the songs of Alan Hull of Lindisfarne
Musical Direction and performed live by Ray Laidlaw and Billy Mitchell
Directed by Joe Douglas
Designed by Neil Warmington
Dramaturgy by Max Roberts
Lighting Design by Ali Hunter
Sound Design by Dave Flynn
Designed by Neil Warmington
Dramaturgy by Max Roberts
Lighting Design by Ali Hunter
Sound Design by Dave Flynn
Events:
Clear White Light is at Live Theatre from Thursday
18 October to Saturday 10 November.
Writer Paul Sirett will give a free post show talk after the 2pm show on
Saturday 20 October and Musical Directors Ray Laidlaw and Billy Mitchell will
take part in a post show talk after the 7.30pm performance on Wednesday
24 October. Both talks are free for ticket holders for that performance and
will be recorded and available to listen again at www.live.org.uk/talks.
There will also be a number of additional talks and events linked to the
play.
Tickets:
For more information or to book tickets which are between £12 and £26,
and concessions from £10 call Live Theatre’s Box Office on(0191) 232
1232 or see www.live.org.uk.
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