The Mousetrap
Sunderland Empire
Thursday 28th February – Saturday 2nd March
2019
Tickets for The Mousetrap are available in person at the Box Office on High Street or online from ATG Tickets http://bit.ly/MousetrapSund* #Ad
Tickets for The Mousetrap are available in person at the Box Office on High Street or online from ATG Tickets http://bit.ly/MousetrapSund* #Ad
Agatha Christie’s classic record breaking whodunnit arrives in Sunderland this week. Complete with its period charm, the show have been packing the audiences in for its West-end run of over 27500 performances over the last 67 years. Even the Queen has seen it and been asked not to give away the secret.
Set in the early 50s when rationing was still around the
story centres around Mollie Ralston (Harriett Hare) who has inherited a large
property which is about an hours drive from London. She decides to open the
property as the “Monkswell Manor Guest House” with the support of her husband
Giles (Nick Biadon). The Mousetrap starts with heavy snows outside and the
couple are expecting their first guests. As they make their final preparations
the big news story on the radio is the murder of a woman in Paddington. The police issue a fairly generic
description of the man that they need to question.
As they arrive, the guests make a quick first impression on the audience.
Christopher Wren (Lewis Chandler) is a lively young architect who likes a joke.
His behaviour is in stark contrast to the irascible Mrs Boyle (Gwyneth Strong,
who is best known for playing Only Fools
And Horses regular Cassandra) who
does not suffer fools and is clearly irritated by the inexperience of her
hosts. It is a good job Trip Advisor
wasn’t around at the time. Mrs Boyle arrived in the same taxi as the Major
Metcalf (resident director John Griffiths) who takes the situation in his
stride.
Seemingly out of place in the 1950s scene is Miss Casewell
(Saskia Vaigncourt-Strallen) who is dressed initially in fairly a masculine outfit
- which, like the other male guests, also matches the police description of the person they want to question - and she
wishes to keep herself to herself. Unexpectedly the door bell rings again and Mr
Paravicini (David Alcock) asks if a room is available as his car has got stuck in the snow. Whilst little is known about him, no more is known about any of the guests who pre-booked their rooms either.
So, the classic Agatha Christie scenario is set up. A group
of strangers stuck in a snow bound hotel for the evening with a murderer on the
loose. Thank goodness the phone rings and the police are sending Sergeant Trotter
(Geoff Arnold) around on his skis to ensure everyone is safe. The ensemble cast
do a fine job in portraying a fairly eccentric bunch of people who have little
in common whilst they wait for the snow to clear.
The set is a single central room at the front of the Manor
House. Numerous doors and exits enable the cast to flow in and out of the action.
Unlike some whodunits, director Gareth Armstrong ensures that there is a good
flow in the narrative. But just like an episode of Scooby Doo, part of the challenge for the audience at the interval
is trying to work out if the killer is in the house and who it is.
The lighting design from Peter Vaughan Clarke enables the
crunch moments to be picked out – or hidden – as appropriate. The sound design
by Richard Carter includes some well timed radio broadcasts. A nice touch was
the snow falling outside making it feel cold inside the Empire Theatre.
The Mousetrap is an entertaining frolic. Seeing it for a
second time I can say that the clues are there…I missed them all the first time
around!
Photos: Johann Persson
Review: Stephen Oliver
Tickets for The
Mousetrap are available in person at the Box Office on High Street or online
from ATG Tickets http://bit.ly/MousetrapSund* #Ad
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